All / Tous Leaves covers Mariachi versions Odd versions Hendrix covers MP3 - Hendrix covers
list only
60's: all from 1965 to 1971


oppenheim kristin selected works Performer: (interprete) kristin oppenheim
Album Title (titre de l'album) SELECTED WORKS
Version of Hey Joe: Female singer - Hendrix cover in English
Duration of Hey Joe: 2:16
Musical genre / Genre musical Pop
Medium (Support): Video ( in Mov format) and mp3
Label: -
Cat. Number (Référence): -
Mono / Stereo: Stereo
Origin of medium: USA
©: recorded (enregistré) 1996
®: released (paru) ?
Country of Interpreter: Performer from New York, NY, USA
Website (Hey Joe audio) : http://www.ubu.com/sound/oppenheim.html


kristin oppenheim cd because tomorrow comes 3 front Performer (Interprete): kristin oppenheim
album Title (titre de l'album) BECAUSE TOMORROW COMES # 3
Version of Hey Joe: Female singer - Hendrix cover in English
Duration of Hey Joe: 3:46
Musical genre / Genre musical Blues, Pop, Rock
Medium (Support): CD
Label: BTComes / Kyra STRATMANN
Cat. Nr / Référence: BTC 03
Mono / Stereo: Stereo
Origin of medium: Germany
©: recorded (enregistré) 1996
®: released (paru) 2000


kristin oppenheim cd because tomorrow comes 3 label

kristin oppenheim cd because tomorrow comes 3 out

kristin oppenheim cd because tomorrow comes 3 in

kristin oppenheim cd because tomorrow comes 3 text


oppenheim picture
copyright picture © Kristin Oppenheim

gb_flag Kristin specifies: For this installation I used two circular spotlights that constantly moved in an “approach and avoid” dance across the gallery floor. The voice which appears and dissapears is mysterious and drowsy, as if in a stupor, slightly possessed. The viewer is hit by the lights, which might initially feel like circus lights, but gradually become more like prison yard searchlights.
Kristin Oppenheim

fr_flag Kristin précise: Pour cette installation, j’ai utilisé deux projecteurs circulaires qui balayaient le sol de la galerie dans une danse "d’approches esquivées". La voix qui émerge et disparaît est mystérieuse et endormie, stupéfaite et légèrement envoûtée. Le visiteur est frappé par les faisceaux de lumière, qui au premier abord peuvent rappeler ceux du cirque mais qui deviennent peu à peu comme les projecteurs d’une prison.
Kristin Oppenheim

Hendrix Covers