PERFORMER / INTERPRÈTE: | The Euphoria's ID | ||
Album Title (titre de l'album): | Deception's Ice / Hey Joe | ||
Version of Hey Joe: | Leaves cover | in English | |
Duration of Hey Joe: | 2:44 | ||
Musical genre / Genre musical: | 60's garage | ||
Medium (Support): | 7" single | ||
Label: | EADIT | ||
Cat. Number (Référence): | 201 365 - 201 366 | ||
Mono / Stereo: | mono | ||
Origin of medium: | USA | ||
©: recorded (enregistré): | 1966 | ||
®: released (paru): | 1966 | ||
Country of interpreter: | 60's Band from Saco, Maine, USA | ||
Members: (membres) | Jimmy Drown: Guitar, Vocals Terry Drown: Bass, Vocals Skip Smith: Drums Jay Snyder: Organ David Wakefield: Blues harp, Sax, Tambourine, Vocals | ||
Website / Site internet | - | ||
Slavko Mustapić from Croatia, sent me the pictures of this rare 7" single. I thank him very much Slavko Mustapić de Croatie, m'a envoyé les photos de ce rare 45 tours. Je le remercie beaucoup |
Same version of Hey Joe on following media / Même version sur les supports suivants:
PERFORMER / INTERPRÈTE: | The Euphoria's ID | ||
album Title (titre de l'album) | NEW ENGLAND TEEN SCENE | ||
Version of Hey Joe: | Leaves cover | in English | |
Duration of Hey Joe: | 2:44 | ||
Musical genre / Genre musical | 60's garage | ||
Medium (Support): | CD various | ||
Label: | EL DIABLO RECORDS | ||
Cat. Nr / Référence: | EL DIABLO 1002 | ||
Mono / Stereo: | Mono | ||
Origin of medium: | USA | ||
©: recorded (enregistré) | 1966 | ||
®: released (paru) | 1994 | ||
PERFORMER / INTERPRÈTE: | The Euphoria's ID | ||
album Title (titre de l'album) | I'M LOSING TONIGHT! Vol. 6 30 MOODY, GARAGE-FOLKPUNK GEMS FROM THE MID-SITIES |
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Version of Hey Joe: | Leaves cover | in English | |
Duration of Hey Joe: | 2:44 | ||
Musical genre / Genre musical | 60's garage | ||
Medium (Support): | CDr | ||
Label: | Paradise of Garage Comps (blog) | ||
Cat. Nr / Référence: | Compiled by caveman78 | ||
Mono / Stereo: | Mono | ||
Origin of medium: | USA? | ||
©: recorded (enregistré) | 1966 | ||
®: released (paru) | 2012? | ||
PERFORMER / INTERPRÈTE: | The Euphoria's ID | ||
album Title (titre de l'album) | MASTERING THE ART OF FRENCH KISSING | ||
Version of Hey Joe: | Leaves cover | in English | |
Duration of Hey Joe: | 2:44 | ||
Musical genre / Genre musical | 60's garage | ||
Medium (Support): | CDr (Nr 103 of 1000) | ||
Label: | GOLDEN RETRIEVER RECORDS | ||
Cat. Nr / Référence: | Golden Retriever Records 1000 | ||
Mono / Stereo: | Mono | ||
Origin of medium: | USA | ||
©: recorded (enregistré) | 1966 | ||
®: released (paru) | 2003 | ||
EUPHORIA’S ID – Mastering The Art Of French Kissing. Golden Retriever Records 1000. 60’s garage rock band from Maine.
NEW CD. This release issued in 2003, in a edition of 1000 on CD-R (this is an “official” release) each disc hand numbered and initialed by
producer and organ player Jay Snyder, with professionally printed informative insert.
MEMBERS: Jimmy Drown, Terry Drown, Skip Smith, Jay Snyder, and David Wakefield.
TRACKS: Morning Dew, Hey Joe, Deception’s Ice, I Just Don’t Understand You Baby, The Joker, So Fine, Pipeline, Louie Louie,
Little Latin Lupe Lu, Bony Moronie, I’m Thinking Of You, Runaway, Wild Weekend, All My Loving, Time, Walking The Dog, Anyway You Want It,
Don’t Count On Me, and Why.
DESCRIPTION: As long ago as the mid 1960s, there were mop-haired kids along Maine’s seacoast who were making a play for mainstream rock stardom. The most notable
of these were called Euphoria’s Id, and though they broke up more than 30 years ago, their recordings have just been released on CD. Jay Snyder, the Id’s organ player, recently founded his own label, Golden Retriever Records. His first release is the Id’s
Mastering the Art of French Kissing, a collection of the group’s three professionally recorded 45s, as well as more than a dozen songs recorded in rehearsals, offered with extensive liner notes by Snyder. Previously, only a few of the Id’s tracks were available on CD, on a compilation called New England Teen Scene, which AMG describes as "the sound of teen bands making their first (and usually, only) record in
the cut-it-quick-and-fast recording conditions of the time." This was certainly the case for Euphoria’s Id who, as Snyder tells it in the liner notes, found their way to AAA Recording Studios in Dorchester, Massachusetts, and "met an encouraging person, whose motto might have been, ‘I never met a buck I didn’t like.’ He told us we were the best band he’d ever heard and that we could ‘make it.’ " It was well after they’d recorded their singles that
they realized the engineer had distorted the vocals and cymbals. So much for high fidelity. Throughout the mid-’60s, the Id continued changing their name (the Electrons, the Nomads, the Id, and finally Euphoria’s Id) and growing as a band.
They sacked their original guitarist. They replaced him with Jimmy Drown who had a Tremolux amp, with that single-coil, chunky sound, chops, taste, and a repertoire. They recorded three singles on their own Eadit label, all of which appear on Mastering the Art of French Kissing, before going their separate ways in college. Id blues-harp/sax man David Wakefield ended up playing with Red Light Review and Bill Chinnock. Jimmy Drown and drummer Skip Smith would go on to form the popular local rock band the Blend, which released several albums on MCA in the early ’70s and Snyder pursued his musical Muse to Boston University, and eventually to LA.